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Nietzsche and Asian Thought : ウィキペディア英語版
Nietzsche and Asian Thought

''Nietzsche and Asian Thought'' is an anthology of essays by a variety of contributors on the relationship of the thought of German philosopher Friedrich Nietzsche to Asian philosophy; specifically, Indian, Chinese and Japanese philosophy. The book was edited by American philosopher Graham Parkes and was released in 1991 by the University of Chicago Press. The work was written for a Western audience of Nietzsche scholars and comparative philosophers, but features contributions from non-Western thinkers.
The work is split into four sections—Others, India, China and Japan—and each section contains between three and four essays, for a total of 14 articles by 13 different authors. The work was well received by academic reviewers upon its release, and praised as a "must-read" for both Nietzsche scholars and comparative philosophers. In 2004, a special edition of ''The Journal of Nietzsche Studies'' was published, aiming to build upon the scholarship in ''Nietzsche and Asian Thought''.
==Concept and contributors==

The essays contained in ''Nietzsche and Asian Thought'' were collected to illustrate both the influence that Asian (specifically, Indian) philosophy had on Nietzsche, and the influence that Nietzsche's thought subsequently had on Asian schools (in particular, Chinese and Japanese philosophy). Despite the fact that published scholarship on Nietzsche had increased in the years preceding the appearance of the book, very little had been written on the relationship between Nietzsche's philosophy and Asian philosophy. Further, only a very small portion of works written in Western languages on Nietzsche had addressed the response his works had provoked in Asia, especially Japan, after his death. ''Nietzsche and Asian Thought'' was "intended as an initial contribution towards redressing () imbalance", and all but two of the essays in the anthology were written specifically for it.
Parkes wrote that the genre of the anthology is an appropriate one in which to write about Nietzsche, claiming that he is "above all a writer in many voices, and one problem with books written about his work is that they have been mainly 'monological,' with the author speaking in only one voice." He argues that justice is more likely to be done to Nietzsche's work when a multiplicity of perspectives is possible, and that ''Nietzsche and Asian Thought'' takes this idea further, with the inclusion of thinkers from East Asia as well as Europe. However, the work does not seek to recast Nietzsche as some kind of multicultural thinker, but instead serves to "complicate" our understanding of Nietzsche. One "significant absence" from the work is the work of Nishitani Keiji, a Japanese philosopher who lists Nietzsche as a major influence. Originally, ''Nietzsche and Asian Thought'' had been intended to contain a translation of an essay by Nishitani, first published in the 1930s, comparing Nietzsche's Zarathustra to Meister Eckhart, but considerations of time and space prevented this.
The work is targeted primarily at a Western audience and is written in English, with a number of essays translated from other languages. However, despite Parkes's efforts to make the anthology accessible, it can be difficult and dense in places, with heavy use of foreign terminology and enough names to "daunt the uninitiated". The inclusion of Asian perspectives enables Western scholars of Nietzsche to see new aspects of his thought, and the work is written to be of interest primarily to scholars of Nietzsche, but also those of comparative philosophy generally.

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